Wonderful Wheels

WHEELS, as you will probably know by now, are one of my favouritest of favourite things - Especially when attached to things they are not usually meant to carry along, like people, musical instruments, artifacts and best of all, houses :) Whenever I come across another artist who puts wheels in their work, my heart does a little leap of comradeship.
Our own wheeled home is growing, growing, and we are at present looking for a set of seven 20 inch wheels for it, which will be easier to find tyres for on our travels.

I thought it time to show you some treasures amongst the work of other artists I have tripped over on web wanderings recently. From time to time I like to show you works that have made me smile and inspired and gladdened me instead of joining in with the blog award thingamyjigs that get passed around these parts. Over the last months Moonbindery, Qi Papers, Dogberry Hill, Snapper & The Griffin, Krisztina Maros, Amy Short, The House of Edward, Lost Stones, Ink Haven, Mille Fiori, Moonroot, Bimbimbie, & Gypsy Root have all been so kind as to pass me awards and tags, and for their appreciation and lovely words I thank them heartily. Apologies if anyone is left out in the cold there.. my brain is still all a-scramble. I have also received the most kind and appreciative writings by the two most recent clock recipients, Nina and Allegra.

Indeed Allegra sent to me in the post a most thoughtful gift, a good-journey talisman made with an old piano key, charms of significance and a photograph of me as a young wheeled-home dweller :) All the elements of it are intended to connect us like a knot in a long string to the old gypsy journey tradition and it is to be nailed with a horse nail to the door to bring us luck.

Also in this beautifully wrapped package came a book Tres Deseos (~Three Wishes) illustrated by a recent blog discovery of mine, Gabriel Pacheco ...
It is a wonderful earth toned book with very up-my-street illustrations of an old couple squashed into a chimneyed little house. Thank you Allegra for such appreciative words and thoughtful gifts.



Whilst perusing Gabriel Pacheco's work, I found a strange wheeled apple and so thought to theme my latest gallery of inspiring artworks... here I bring you a wonderful wheeled world in both two and three squeaking dimensions.



Gabriel Pacheco is a Spanish illustrator who creates hazy other worlds of strange beings with subtle colours and textures, and was introduced to the arena of children's literature by his sister who asked him to illustrate a story. I can't find out a huge amount about his creations as my Spanish is non-existent, but by the looks of it he employs a very clever mixture of digital and traditional techniques. As far as I can gather these illustrations shown here are from a tale (Calabacina) about a pumpkin.

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Next I wheel on the incredible creations of Akira Blount of Akira Studios. She lives on 70 acres of land in Tennessee raising goats in between making these wonderful dolls with twigs and wheels and delightful characters. Cage dolls form a large part of her work and inside the cages hide other little people and birds and things. Akira's cage dolls often sport wheels and are for me like a strange circus performance and performer combined, and the twigs conjure a foresty-ness that I love.

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Third and fourth I present two Russian artists who both make sculpture and paintings of a strange naive folky sort that make me smile no end, and which are so brilliant I can't quite find the words.
Vladimir Gvozdariki makes wooden toys, animations, paintings, drawings and dolls, and here above are some of them that have wheels... how wonderful is the old man inside a wheeled barrel with a chimney and lantern swinging!

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And lastly Boris Ivanov ... whose painted wooden sculptures are like automatons, puppets, and toys all in one.. and whose paintings are exquisitely done naive worlds populated with large, wide people, flying, fishing, playing and dreaming. Boris says of his work:

"Once upon a time - it was about 15 years ago - an idea came to my mind: to create a new World, kind of a new Planet, and populate it with People. So I did. As time passed new personages came to existence. This planet became inhabited by its population of Fatties. Currently there are more than 1.5 thousand of them."

Here below to complete my gallery of wheels is a man driving a wonky beer vehicle, both in paint and in wood. Boris's work creates a world that I find familiar and wonderful and it makes me very happy indeed to look at these works. I suggest you take a good long time to visit his website and peruse the treasures there.

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And for more wheeled creatures I mustn't not mention the beautiful watercolours and felted toys of my talented friend Gretel. Wheels have cropped up rather a lot in my work too of course, which I wrote about a while ago here ... you can also see there where Allegra found that photo of my early days :) My paintings seem to me novice-ish and un-developed next to these great works above, but at the same time their work spurs me on to new levels of excellence.
I hope that our days on wheels will bring my work inspiration of a new kind ...

PS - Do click on any of the pictures for a larger view.

Balalaika

WHEN I WAS YOUNG, we used to have a book called Trubloff ~ The Mouse Who Wanted to Play the Balalaika by the wonderful John Burningham, and I loved the story very much indeed. John Burningham's illustrations have a fabulous scratchy folky quality that embodies great heart. This is the amazon synopsis of the story:

Trubloff the mouse lives with his family in the village inn but dreams of becoming the greatest balalaika player in the whole country. So one night, when everyone is asleep, he runs away to join a band of gypsy musicians who promise to teach him to play. Trubloff's poor family are overcome with worry, but in the end, it's Trubloff's gift for music that saves them all.

I have always loved Russian music, in fact anything from the Eastern European folk tradition and most especially Jewish Klezmer music. This music moves me in a way I cannot explain, I think I might have inherited this love of oom-pah from my mum ... but as far as we know there is no Jewish blood in our family tree.



I try to play the accordion, as I have mentioned before.. specifically the Russian B-System Bayan :) ... there is something about the sound of accordion and clarinet together that really gets me. I often paint musical instruments, I like the shapes of them and I find that I can hear the paintings playing if I listen to a recording whilst making the image.


Anyhow, back to balalaikas... those triangular stringed instruments that can be seen not only in the arms of mice but also played in whole ensembles with instruments ranging from tiny tinkling things to great bass balalaikas.
As you know, our grand clear out is including the odd original painting sale and I have decided to sell my Balalaika watercolour for an extremely reasonable £80 :) ... it's a smallish little thing (7.5" x 5"), which I painted in 2005 and I'm selling it unframed. There it is in the fireplace with my first green accordion; a funny little man on the back of a wheeled reindeer, playing the balalaika in a snowy onion-domed Slavic forest. And here it is in my etsy shop if you should wish to own it. [Edit... the painting is sold!]


And if you'd like to hear a balalaika playing whilst you look at the painting, here's well known Polish/English balalaika player Bibs Ekkel in 1978 with Ensemble Tsiganka playing Papirosen, a Russian/Yiddish song about cigarettes. That's them over there leaning against the Gypsy vardo :)
Hoi!

NB - all images except those of my painting and accordion are nicked from the internet :)

Paper November

AUTUMN-END frost has sprinkled down onto our hills these last few days and the evening sunlight of early November shines through the chimney smoke in the village as we go out sporting thermal undergarments to collect coal. The house is a pile of chaos with little bundles of saved cardboard and bubblewrap stuffed in corners in preparation for more wrappings. We have been packing up and throwing away, there are bin bags for charity shops stacked around the rooms and we had a bonfire of old bills. (the bits of paper asking you for money I mean, not a burning of police forces!) A good lot of books have been sent off and bits of furniture too.. and I think I might have accidentally thrown my wits into one of those bin bags as well because I am starting to go a little bit mad!

The wheeled home is nearly there... not yet full of our things but sporting a brilliant second hand hobbit-sized oven and lots more excellent Tui-cupboards. We still need to stop the icy wind creeping in a few gaps and add another window or two, but it is almost ready for its journey I think. We have even bought a brass galley pump tap to adorn our rustic little kitchen. It will pump water up a pipe from a tank below and round and out the spout, into the sink and down the newly piped-in plughole.

There are endless things to think of before we go.. we have to organise mobile internet, buy a small and quiet generator for power until we sort out a solar panel arrangement, rip the music from 100s of CDs so as to leave them behind, parcel up and send off an enormously heavy singer sewing machine table, sell my little car, work out what to do with all my old work, buy 7 new wheels for the truck, and ready it for MOT, sort through yet more stuff... and nip out when the sun shines to make a little money. And amongst all the upheaval, I have dropped the printer! Now it makes clankings that it shouldn't make and refuses to print at all. This is very annoying with a capital A and it is headed for the bin bag corner too. It's not entirely a disaster though because it'll mean we'll have to order all our prints from the printing place now, which, tho a bit more pricey, is easier, better quality, and saves both space and late night cursings when bits of blue ink spurt all over the place for no earthly reason other than to try you.

The book sale was a storming success for which I'd like to say a big thank you to you all.. it took me two whole days to wrap them all and the faces of the post office ladies were a picture when we trundled in with our armfuls of bundles this morning. I must say that I have made rather a silly underestimate with many of the postage costs overseas.. books are so heavy. So a few of you might be getting little garbled emails from me asking for a pound or two more! It is very nice I must say to know that the books are going to places where they'll be enjoyed.

In these remaining four weeks I am putting away paintbrushes.. so clocks and other such things will be put on hold (as if I take hold of some imaginary painted pendulum and stop it swinging). I also (rather insanely) have a stop frame animation to finish before we go. Only Rima would leave such a slow artform to the very last minute to complete. I think I can do it though, and it is looking lovely so far. It appears that something switches in me when a deadline approaches and a new kind of desperate creativity emerges. Here are a few snippets of the paper pieces I am inching about under a camera up in the animation attic. I am enjoying it, and listening to Tui's beautiful and intricate finished Orla Wren album while I do it. Both album and animation will be unfurled early next year if all goes to plan.

So surrounded by big brown wrapping papers and little cut-out whispers of animation papers we approach our big and exciting journey. I shall try to keep news here, but forgive me if my visits to your blogs are less frequent and if my emails are spelled dreadfully or make little sense at all. I think it's time to light the fire now, Tui's just home from an afternoon of cupboard door makings and I'm back off up the attic ladder after removing from the carpet a nasty little cat present.

I leave you with a cold dusk tree shivering without its leaf coat growing up on the hill behind the village at the end of a stone wall.

The Spoon-Eared Child

The Spoon-Eared Child

A new drawing, drawn in snatches, in between many other busy-nesses ~ one bit one day sat in town and the next bit another day some weeks later sat at home by the fire. It is finally sort of finished and I think I like it, but don't know if I should paint it or leave it as a drawing. Any thoughts?

Dusty Bookshelves

THE LEAVING DAY is approaching fast and Tui and I are building & dismantling in clouds of sawdust & bookdust respectively. He has made more wonderful shelves and cupboards and the truck is getting more and more nookish by the day. The days here are not at the moment quite what you'd call days.. the darkness of the nighttime gets a little greyer between morning and afternoon and then it's night again! And all the while we are lashed with freezing rain.
Anyhow, from nookish things to bookish things ... I am now sitting amongst stalagmites of books, towering in teetering spires around and about me, and breathing in the floating blankets of dust that have been softly mustering atop the bookedges over time. I think I have selected my most used and treasured and least heavy books for the invitingly lovely bookshelves ready in the wheeled house. Some more good but un-squeezable-inable books will go to my parents' house :) and the last lot ... is for you! Yes.. indeed, I thought that you discerning Hermitage-reading folks would be interested to virtually browse my book shelves and avail yourself of a bargain. There's to be a Hermitage book sale! I have been a book hoarder for a long time, and I have had to be brutal. So there are some great books there .. on such diverting subjects as: tree lore, book arts apprenticeships, elvish, devils, medieval books of hours, runes, nursery rhymes, holy wells, tin whistles, fairground transport, children's book illustrating, fairy tales, anarchism and a plethora of stories...



I have put the books all on one long page, in sections by subject. And the sale can be found by clicking on that there rusty book sign to the below right. As soon as a book is bought, I'll remove the paypal button, but if two people should buy the same book whilst I am sleeping, I'll send it to whoever got it first, and I'll refund the unlucky one! If anyone can suggest a more hi-tech way of dealing with this problem I'd be grateful, but as it is I have spent two days listing everything on here... I'd love to write a little something about each book, but I think I might be going crosseyed with the effort.
Just imagine yourself standing in one of those old rickety-shelved second hand bookshops in cathedral towns where the proprietor is reading a tea-stained newspaper and customers shuffle past each other apologetically peering up and down the bookspines. There'll be a spiral staircase up or down to a chilly room with even more interesting and obscure books in difficult piles and a damp anorak draped over the radiator. To leave, you'll have to cough quietly, step around many boxes of unpacked unshelved books (possibly from the houses of dead people), and you'll emerge into the day having left a substantial number of hours behind, wedged between the yellowed pages of silverfish-nibbled academia.

Treescapes & Seasons (..Seascapes & Treasons?)

UP IN OUR CORNER of Scotland where the clouds are almost within reach, we are being buffeted and blown, whipped by the tails of gales and peppered with ices and hails. Even a flurry of snow happened upon us the other day. It is freezing and wet and the shortlived warm autumn colours are being blown off their branches and lay sludged at the roadside in a brown puddled patchwork.

I have just finished a small commissioned watercolour painting of a crow, sitting up in winter branches overlooking a small hamlet in the hills where a chimney smokes and reminds him of the origins of fire. This painting is for Melanie who loved the Lenape legend of the rainbow crow and the smoking chimney is a remnant of the fire in this tale. I delved into my lovely brand new box of watercolours for this painting and used a smidgen of gouache for the snow on the branches.
As he is packaged up and readied for a trip to the post office (a windy six mile journey for us) I am stacking books upstairs into "going", "staying" and "mum and dad's house" piles... there's rather a lot to fit into our compact little rolling home.

The other day I bought a tiny locally grown pumpkin which we roasted in the oven, and after we'd eaten it we curled up to watch a lovely film which we had already seen at the cinema, but wanted to see again. It is a Gaelic film, a tale of a grandfather on the isle of Skye and of the tales that he tells to his grandchildren, and of the mystery in the seas and trees of the island. It is a beautiful film, all spoken in Gaelic using unknown actors and painted sonically with a haunting musical score. Here's the trailer... I highly recommend you buy it, download it, enjoy it. It's called SEACHD: The Inaccessible Pinnacle.

Wishing you all warm ends of Octobers with no draughts blowing down the gaps ..

The Clock Tarot

CLOCK number six has been drawn from the hat, and with it a hand of tarot cards. This commission was a little bit of magic for Allegra Smith who asked for a clock with sprinklings of gypsies, of tarot cards and Egyptians, and a suspicion of a well loved cat.
I had a deck of tarot cards when I was young but have never known a great deal about the history and meanings behind the tarot, so for this clock I read a little and learned of the history of the iconography and significances. The early tarot decks are delightful, mostly woodblock printed and hand coloured. For more delvings into the history of these 78 images, I recommend this excellent tarot history site.

As this is to be a gift from Allegra to her beloved, a gift of time for someone whose time may be short, I chose the ace of coins for an important or valuable gift, the hermit for time and triumph over it, and the star for hope and rejuvenation. I hope that this little painted "spell" will wend its way over the ocean and be enjoyed by the recipients. The cat is a sphinxy version of their own cat, and time ticks around the Egyptian coin and over a broken palette of ochre-sand and azure sea-browns.

I so enjoyed my explorations into the history of the tarot that I am inspired to illustrate a whole deck. I like symbolic imagery with a central figure and text surrounding it; I like the characters that appear amongst the cards: Hermit, Fool, Magician; and I like collections of symbols: zodiacs, alphabets, calendars... This, of course, will be a job for another day.. another year!

Hark Hark

HARK HARK the dogs do bark
The beggars are coming to town
Some in rags and some in jags
And one in a velvet gown

This nursery rhyme is an old one, and is said to have its origins in the society of Elizabethan England, when bands of wandering beggars were so numerous that people considered them a nuisance. "All through the Tudor reigns, the beggars coming to town preyed on the fears of dwellers in lonely farms and hamlets, and exercised the minds of magistrates, Privy Councillors and Parliaments"*.
These ragged and jagged vagabonds, sometimes with music amongst them and likely missing a limb or a wit or two would approach the town walls where the dogs would put up a great howling. I like these peripheral peoples as you know and I like nursery rhymes, and so I painted them in this oil painting on a lovely knotted piece of burr walnut a few years ago now.
Scattered at the beggars' feet are coins, real coins, stuck to the surface of the painting. They are whisper-thin slivers of old Arabic money I think, with holes in the tops from where they adorned a jingle-jangling costume. I bought them in an antique place in London even more years ago and still have a few left to use in something else.

This is the painting I have chosen for the first in the series of original painting sales that I mentioned a while ago. These are now our last six weeks in this little Scottish cottage .. we have planned and hope to be off for good by the beginning of December, and of course there are a million and one things to do before then. The truck is looking just lovely and Tui is working like a man possessed to get it ready, making a cupboard a day almost! I am finishing off clock orders and other things, I have an animation to get finished as well and on top of all that there's a house full of stuff that we've to squeeze into a truck! Therefore .. things will have to go! We cannot hang all the paintings I have here on the wooden walls of the wheely home, and so I thought to have a wee sale, so that anybody who might feel inclined can snap them up. These sales will help us get on our way too... for though we nip out weekly to earn a penny or three in town, it is usually spent before we get home on the weekly wood and screws for more house building, a bag or two of groceries and a thimbleful of diesel. I am selling these at a lower price than I usually do for original oil paintings on wood so that perhaps someone who might not have been able to afford it before can do this time.

I have always loved this piece of walnut wood with its coggly greened edges, and I like the dark almost halloweenish atmosphere in the nursery rhyme edge-of-town scene. I hope that one of you might like it too and want to take this topsy turvy bunch of marginal folk into your home. And if you do like them and have three hundred English pounds** to spare ... follow me ...

t h i s a w a y . . .

And if another painting takes your fancy instead, then hold your horses, there'll be more going for a song in the next few weeks. Meanwhile we are running about like a couple of barefooted bees on hot coals as the autumn leaves turn red and fall into the puddles ...

* taken from The Oxford Dictionary of Nursery Rhymes by Iona & Peter Opie .. which suggests other political inspirations behind the rhyme as well as this one, but I liked this one best!
** indeed American Dollars and all other currencies are just as welcome!

Three Red Things

New boots ...

Autumn berries ...

& A cosy growing home ...

Paintspoons & Teabrushes

THIS BLOG is one year old this October, and to celebrate I thought it time to give it a new hat. So as you see, I have painted one. My parents gave me some gouache paints for by own recent birthday and this is my first ever experiment with them. At first, having only used oils and watercolours before, I was unsure how to wrestle with these strange opaque yet watery paints... I tried painting in great sloopy washes and scrubbing it off again with loo roll, and then tried dense thick colour which I laid on with the finest of brushes in lines as thin as a ladybird's eyelash.


Gradually I warmed to the gouache, and found my own way of using it. I build layers and model with both watercolour and oil paint as if I am drawing with it, putting in little colour washes, then darks, then lights, and more washes, and it seems I attack gouache in much the same way. I found it excellent for lettering.

Though with watercolour I use pencil lines as an integral part of the final image, this time I wanted to see if I could do it all with the brush. I am moderately happy with the result.. though last night I hated it. I have much to thank photoshop for - because I thought my final painting altogether too blue and dingy, and by employing the clever modern digital tools of colour level adjustment and contrast boosting, I have rescued a painting that might have otherwise gone on the scrapheap. It's only a first attempt anyway, I shall most definitely enjoy my further gouache adventures.

Also in my birthday parcel were a couple of photos of a little Rima that my mum had found in her fossickings. Here I am drawing at age five and three quarters, sat at the kitchen table with pens and pencils, more of my drawings on the walls behind me and a milk-toothy grin that I seemed to wear in all photos at that time :)



I find it fascinating to think that those little hands are these hands and that those eyes saw to draw people like that then and see to draw them somewhat differently nowadays. Odd isn't it?
I'm off to paint another clock, make some attempt at clearing stuff and put the kettle on.

And speaking of tea, if any of you should be pining for the old blog hat Penny Farthing Tea, you can now buy it beautifully glazed into a handmade stoneware mug by Gina at Phenix Pottery, providing they've not already been snapped up. And if they have, there are more in the kiln as we speak!
I drew that image yonks ago for the front door of my website; its title is a play on Pennyroyal Tea and it depicts some strange tea-powered travelling contraption.
You'll see teapots and kettles a lot in my paintings. Tea is one of life's essential fuels I believe. I drink copious amounts of it, mostly good ol' builder's tea: strongish with milk and no sugar.

PS ~ If you want a closer look at the painting, you can click on the snippets up there.

The Jeweller's Clock

THE FIFTH CLOCK is done! Here for you to see is my newest Once Upon O'Clock creation ~ a clock for narrative jeweller Nina Bagley, who asked for reds and rooftops and moon and moth, because moths have been visiting her rather a lot lately. I also decided to include some text in this one. I am fond of entwining words around my images and thought it appropriate for this one since Nina puts words inside her jewellery. I hunted for suitable moth poems and found just a few.
The words that curl out of the moon's pipe smoke and chimney are from the T.S. Eliot poem The Burnt Dancer about a moth. O danse mon papillon noir is the refrain ... and on further investigation I found that a "papillon noir" is also an antiquated French expression for a melancholy thought, and I liked that.
For the small cluster of houses below, I took inspiration from medieval woodcuts of towns, where the whole group of buildings in enclosed within city walls, and the perspective is knowledgeably awry, with rows of houses piled simultaneously on top of and behind one another.
The moth is a Luna Moth, since it is sitting on the moon, and since they visit Nina from time to time too.
I think she likes it, and I do too... it'll be fluttering over the atlantic now, and I hope its fragile dusty wings can manage the long flight ...

Sharmanka & The Chronophage

I THINK I HAVE FOUND work by another artist that is the closest thing to my own sensibilities that ever I have seen, and I'd like to show it to you ...
A few months back I was given a little local Scottish magazine by a neighbour who thought a particular article in it might be up my street. And Oh it was. I read in there of a Russian kinetic theatre of wooden sculpture hidden in the heart of Glasgow. And two days ago I went to see it.





Down a narrow alleyway and round the corner was a door, and on the door was a drawing of a behatted crow with a bell in its beak. Behind the crow were stairs, and at the top of the stairs was the most unusual wonderland I could ever have hoped to come across. A roomful of contraptions, huge automata-like machines, moved by and moving small painted woodcarvings with hooked noses. There were endless wheels, cogs and clocks, old pieces of scrap, sections of sewing machines, typewriters and lawnmowers, bicycles and bells, and delightful characters ~ melancholic, strange and grotesque in the best possible of ways.
Fat bellied mice, nuns and hunchbacks, clowns and skellingtons, monkeys with donkeyheads for hands, grinning jesters and snap-jawed monstrosities, bears, saints, artists and alchemists, monkeys with wayward willies, and organ-grinders and ravens of all sizes and sorts joined in a mechanical dance ~ macabre and humourous, sad and wise and utterly fascinating. They seemed to be telling me tales of the world turning, of lives and deaths and back again, of torture and spirituality, of the wheel and all its spokes. Lights shone on the pages of this kinetic story and took me from one character's part to the next, and all the while music played ... something from a far off circus, a dusty street musician, an echoing dungeon, a shtetl in winter.




Sharmanka Kinetic Theatre is the work of Russian artist Eduard Bersudsky. Born an outsider in St Petersburg in 1939, he is a self confessed black sheep or "white crow" as the Slavs say, who began his work amidst the struggles of Soviet Russia and and left in 1994 to settle in Scotland and bring with him his magnificent theatre. His work has been brought tirelessly into the public eye by Tatyana Jakovskaya, theatre director and critic who he met in 1987. Sharmanka (which means organ grinder or hurdy gurdy in Russian) has its base in Glasglow at present but a touring version can be seen here and there and elsewhere, and Eduard's works have been commisssioned to stand in various town centres, museums and private collections in places as far an wide as Scotland, Jerusalem, Russia, Denmark, America.



Eduard requests that he never see his audience nor they him, and speaks only a handful of English words. I was lucky enough however to meet him briefly and see his workshop and new piece in progress which will incorporate an old set of bellows into its heart. He is a man dedicated utterly to his work and collects like a magpie more bits and pieces of machinery to incorporate inside his creations, which have names like The Clock of Life, The Hunchback, The Tower of Babel, The Little Organ Grinder, Time of Rats, The Rag-n-Bone Man, Willy the Barrel Organ, Brainwashing Machine, The Tower of Medieval Sciences, The Leg, Eternal Triangle of Love, The Tree of Life, Druid's Clock, The Autumn Walk in the Belle Epoque of Perestroika ...


I cannot express adequately quite how in thrall I was to these little wooden men and the wheels that turned them. Bersudsky has been described as "an icon painter for our times" and that he is. Really it is impossible to convey in words how brilliant this kinetic theatre of woodcarvings is. You simply MUST go and see it. Even if you do not live in the UK ... get a plane, a boat, a train, a bicycle, a tricycle, a donkey, a snail, a unicycle! Just come to a show! They are on thursdays and sundays. Photographs cannot evoke the magic enough, so here are a few videos, but even they are like weak imitations compared with standing close to one of the beautiful Sharmanka machines as it creaks into life. Thank you Eduard.

all photographs copyright www.sharmanka.com
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Now, if your senses are not overloaded, I thought I'd invite another guest to this clockish automata-party: The Chronophage.
It was recently brought to my attention that on my just gone birthday, a new and astonishing clock was unveiled in Cambridge. The invention of John Taylor, clockmaker and admirer of John Harrison, who solved the problem of longitude in the eighteenth century, is a 24-carat gold-plated clockwork clock, that keeps accurate time whilst showing that it time is relative. On top of the clock, time is measured out by the grasping legs of a demonic locust-like chronophage or time-eater.

Taylor says:

“Clocks are fixed, whereas we all know, time is fluid. It drags and it flies. Like Einstein said, an hour sitting next to a pretty girl can be like a minute, and a minute sitting on a hot stove can seem like an hour. I wanted this clock to reflect that, to play tricks with observers.”

Dr Christopher de Hamel, Fellow Librarian at Corpus Christi, says:

“I wanted it to be a monster, because time itself is a monster . . . It is horrendous, and horrible, and beautiful. It reminds me of the locusts from the Book of Revelations. It lashes its tongue, and flicks its eyes at you. It’s bonkers.”

And here it is in action ...

So I leave you with all these lovely mad tickings and ringings of bells and will return soon with my own clock ... Once Upon O'Clock number 5.