The Animation Attic

PARCEL TAPE and cobbled-together ideas of make-do animation studios have, in the past few days and weeks, been sensibly hurled into the Rubbish Bin Of Silly Plans and replaced with a quite state-of-the-art-yet-cosy set-up under our eaves, complete with all sorts of bells and whistles and contraptions to make animating easier.

Follow me up the ladder (which incidentally, I fell down the other day and bruised every bit of me!) ... to the Animation Attic, where I have made a comfy little hideaway for move-clicking.
You can't stand up in it, but on the underside of a legless table I have arranged my studio.



Following my first depressing attempts to secure the video camera with tape to some bits of clamped wood, and finding that the camera sagged over days as the tape melted, I was spurred on to track down a sturdy alternative. The gem of a find that has saved my bacon is a strange prehensile grabber sort of a thing called a Gorillapod (like a tripod of the simian variety) which was perfect for holding the camera still at a 90 degree angle. It is vital for stop frame animation that the camera is As Still As The Grave otherwise huge jolts occur in the film, lurching you out of your suspended disbelief.
Anyhow, as you can see the camera is clutching a plank of wood with its new monkey paw and I am able to happily move my tiny scraps of paper around to make my film.


Tui's Mac has also made life much easier, not that I know the first thing about them, having never laid a finger on one before now, but its smooth workings mean that I can concentrate on the task in hand.

I have been battling with the movement of waves on the seashore for the past few days. The beginning of the track is gentle and sparse and I had made a sea more worthy of pirates and leviathans, dark storms and lighthouse rescues! Though I am pleased with the movement of a gull in flight (made from several pieces of paper no bigger than half a nail-clipping). I have been pushing the pieces of the scene around with the tip of a sharp knife as my fingers are too big.

Today I have happily finished a 20 second segment of calm calm sea and am pleased. Another cheerful discovery was that I am able to animate at 8 frames per second, still achieving as smooth movement as I did with 24, and saving bucketfuls of time.

I have also begun my new attic animation with a different stop-motion frame grabbing program ~ Framethief, designed for use on the Mac and it is a wholly lovely program to use - simple and yet it does the clever things I need.

Tomorrow I will climb the attic ladder again with a cup of tea and a hot water bottle and sit curled up poking at little bits of paper until I have made some small seconds of film and my pin-needled cross-eyed body calls me back to the kettle.